An Irish session is an informal gathering of people to play traditional Irish music. If you live in Charlotte, NC you will have a very hard time finding a traditional Irish session. In fact, I’ve lived there for almost twenty years without finding a single regular session closer than the two hour drive to Asheville. So imagine my happy surprise when I moved to Colorado a few months ago and found over ten Irish Sessions less than thirty minutes from where I live!

I was classically trained in flute, but what really sparked my interest in traditional music was an old-time/bluegrass jam session I found in a nearby small town in North Carolina. After the group broke up a year later, I continued to explore on my own, and fell in love with traditional Irish music. I found that my extensive experience with improvisation and playing by ear was a great asset when learning Irish music.

And so my adventure began in Colorado. I began going to Irish sessions in Denver, CO and Boulder, CO and my appetite was whet for more. I still play Irish music on my classical flute and various whistles, but I’m going to start saving my money and realize my long time dream of buying an Irish flute.

If you are interested in listening to or playing Irish music, you can visit these local Irish Sessions in Colorado. Swallow Hill in Denver also has regular sessions. Each session is a bit different so there is something for everyone, from beginners to advanced musicians, or music lovers who come to listen.

You can also go here to learn more about what I do with Irish flute music.

This past week, I had the pleasure of attending two great concerts – one by the Jefferson Symphony Orchestra, and the other by the Broomfield Symphony Orchestra. As a flute player, I enjoyed that both concerts had some great flute solos. As usual, I also loved watching the cello and bass sections, given that I play cello and my husband plays bass.

The Jefferson Symphony played at the Colorado School of Music in Golden, CO. They performed a lively and engaging concert featuring works by Brahms and Richard Strauss. The concert ended with an impressive performance of Ravel’s “La Valse” featuring Peggy Lyon on piano.

The Broomfield Symphony performed to a packed Broomfield Auditorium, just minutes from my home. They played an enjoyable selection of pieces by Haydn and Tchaikovsky to an enthusiastic audience. The second half of the program featured solo pianist David Korevaar playing Rachmaninov’s 2nd Piano Concerto. David’s passionate playing and flawless technique had me riveted, and his inspiring performance elicited a standing ovation from the audience at the end of the concert.

Just before I headed out to my new home in Colorado, I attended the National Flute Association’s annual convention, held in Charlotte, NC this year.

I attended numerous masterclasses and competitions,  and a number of educational classes that featured topics ranging from correct breathing to beginning lessons on a Baroque flute. I was particularly inspired by William Westney’s class “How can a wrong note be perfect”.  His premise is that music should be fun, but the way we tend to teach music leads students to aspire for perfection  rather than playing their instrument with life and expression.  At the exhibits, I got to try out different flutes including Celtic flutes, Chinese flutes, and contrabass flutes.

I also saw a number of concerts including several flute and cello concerts, a French music concert, and a concert given by the Charlotte Symphony Flutists that used fascinating modern techniques to create unique sounds. One of my favorite concerts was Trevor Wye’s “50 Variations on the Carnival of Venice for 60 flutes and piano”  where he showed us how to make a flute out of a carrot, played a flute made out of a human bone, and played on his own creations that lit up in humorous ways as he played.

The day following the convention, I attended an inspiring masterclass  given by Jean Ferrandis, who focused on playing the flute with a relaxed and natural posture as if you were saying “hello” to a friend. The convention was inspiring and refreshing and I’m glad I took time to attend even though I was busy with the move.

USCHAP - Vivace Strings

Christen Stephens playing cello in concert with the Queens Community Orchestra, December 6, 2010

Madeline Nagele and Emily Wilkens performing flute at an open house

On Saturday, November 20th four of my flute students and four of Christina Beekman’s cello students played for an open house event in Waxhaw. Christina and I also performed flute and cello, and double cello duets. We had fun and I think everyone did a great job.